Saturday, February 28, 2009

Riding LAST Weekend

I've been meaning to write this post since last Sunday, but got a new camera this week, and have been messing around with it all week.
Last Saturday was a nice sunny day, so I obviously had non-outside stuff to do. I can't remember what - I guess I should have written this earlier. I went for a ride to Mill Bay in the late afternoon. I was going to ride down to the ferry terminal, and continue until the road meets the highway, but saw a "Beech Access" sign I haadn't seen before and spent a while taking photos. It soon started to get dark, so I came back the way I went.

Sunday was dull and rainy, the day of the first Experience Cycling Club ride.
It was a good fun though. We met at the parking lot at 10:30 and split into two groups:
Mike, Trevor, Kevin, and Dave and Alyssa from Victoria headed off on the south side of the mountain, while Tara, Kurt, Jamie, Roland and Jen (from Victoria), and me rode up the fire road. We rode up some Emma's Express and rode Why be a Roadie, and up the road to Field of Dreams, and straight to the top. Kurt led us down Rocky Ridge and Blueberry Pancakes to Chicken Run 1 and 2, then Fluid and Resurrection. At the very end of Resurrection there's a little jump with a bit of an upward-sloping landing. I landed a bit front-wheel-first, and rode home with a broken spoke and wobbly front wheel.
I really should have written this earlier - it would have been more interesting!

Pics here.

Sunday, February 15, 2009

a good weekend of riding

Saturday morning I rode on the road in the morning, and then went riding with Ted in the afternoon.
We went up Tzouhalem for a couple of hours. We rode up the fire road and came down Showtime, the end of Chicken Run 3 (I guess we should have gone right instead of left...), Fluid, and Resurrection.We had a good ride, and decided that we could both ride the end of the "Zig-Zag" woodwork, but it was a bit wet today, so we'll have to do it in the summer.
By then Ted will have his Cove STD, and me my Trek Remedy of course.

I went riding with Hilary today. We took Ben for a bit of a run and ended up at a decked area on the "golf course". We rode up a bit higher from that and came out just above Toxic Tea Cup, and rode down Tea Cup and Resurrection.
Back at the parking lot we ran into Bill, Bruce, and another man (whose name I've forgotten), and then Gail and Linda rolled up. I guess it's been the first nice sunny riding dat since all the snow. The parking lot was full, and most cars had bike racks on.
We headed back up and look the lower old M/L and came accross two lost hikers, and rode with them three-quarters of the way to the cross, then came back a bit and did the beginning of Chicken Run 2, and then attempted Chicken Run 1 backwards, which meant we ended up walking half of it. Riding it backwards meant that one of the bridges that is usually uphill was downhill, so we both rode it.
We then rode up the usual fire road (I told you it was!) to the top, and then along a bit to the top with a better view. While we were there, a guy on a downhill bike with dual-crowns road up without a helmet, and then sat on a stump and started meditating/praying.
We left and rode back down to Field of Dreams, which we rode backwards, and then onto Finality. I must have gone left when I should have stayed right, because I think we were trying to ride backwards along Twist and Shout. We ended up at the bottom of Little Dipper somewhere, and rode the Y Connector, and Why Be A Roadie, School's Out, Tea Cup and Resurrection.
Hilary drove home, while I rode along the Viewpoint Trail and down the Providence Farm Trail.

Two things to be learnt from this weekend:
Don't let me lead - I always go the wrong way.
Riding trails backwards isn't reccommended.

I've noticed my riding is definitely getting better. I did a few things this weekend that I haven't done before. I'm getting more confident on bridges, and the woodwork doesn't look as scary as it used to. I spend more time in the air, and have started jumping over roots rather than smashing into them. I'm getting much faster on singletrack too.
(Ted took that one)

Friday, February 6, 2009

Ta-Da!!


My new bike is ready to roll.
It's been on the rack in my apartment for about a month now, but has had bits missing (wheels, brakes). Dale and Brian got it all sorted yesterday.
It's not new. It says Lemond on it, but apparently the frame was custom built for a cyclocross racer, whose name I've forgotten. I bought the bike without wheels, and had some wheels built up - Open Pro rims on 105 back, XT front hubs. It's got a double, which I'm a bit worried about. It'll be fine on shorter rides, but over the 100 km mark I think I'm going to be wanting lower gears for long hills.
Brian brought it round to work last night, so as soon as I got home I went riding. As soon as I got on it, it started to rain.
I was going to ride along Lakes, Herd, Bell McKinnon to Crofton, and back along Osbourne, but by the time I'd gotten to Bell McKinnon (stopping twice to lower my saddle) I'd had two "close calls" with drivers that didn't dim their lights for me. One opened his window to yell "Fucking watch where you're going!" after I'd wandered towards the middle of the road while blinded by his headlights. Not my fault - all I can do is brake and hope I'm going straight.
Anyway, I rode the other way along Bell McKinnon and decided to cross the road and rode Drinkwater to Somenos, and went straight accross at the roundabout (not sure what that road's called).
Loved the bike. Sooo fast and easy compared to Jake and the mountain bike. I had no trouble making it up the hills with the bigger gears, but can't see liking them after riding for six hours. So smooth! The gear shifts are very slow though - delayed about 17 seconds sometimes (I counted). It seems to fit well, except the brifters must be in the wrong place, as my hands start to hurt instantly. It's got even less standover than Jake, and (a lot) more toe overlap, but it's smaller, so that's to be expected.
And it's got no fenders yet, so ...

Monday, February 2, 2009

Project 365

It's not long after one starts browsing Flickr that "Project 365" pops up.
Let me explain - take (and post) a picture everyday, for 365 days.
From there, everything is flexible, and everyone creates their own rules. Lots of people do 365 days of self portraits. Others will give themselves other restrictions, such as using only their fisheye lens, or taking their photo for the day before they do anything else in the morning.

I thought this was an excellent idea, but didn't think I could follow through - but I've changed my mind. If I have said (online) that I will do this, I can't say to myself that I won't bother today.

This project serves several purposes. Hopefully, having to take at lease one good, postable picture a day will help to make me better at taking pictures. You get better from doing, and this forces me to do. It will also act as a semi-blog in pictures. Each day's picture will give a clue as to what went on on that day. This will also push me to take photos when it seems like there is nothing to take photos of.

My rules:
The pictures don't all have to be different. I'm a bit of a perfectionist about my photos, and have never taken one I'm happy with. I intend to re-visit photos I'm not happy with to see if I can do a better job the second (or third, or fourth) time around.
Each day's picture will be posted the morning after, before I go to work.
They don't all have to be good, because let's face it - they aren't all going to be.
I will post at least one picture of me every month.
If I do miss a day for some reason - it doesn't matter. I'll carry on.
It will actually be Project 334, as I'm starting on February 1st and it seems to make sense I should end (and start again) at the new year, as a journal book would.
The rules must change - as I think all rules should.
The pictures will not all be posted here - they will be on my Flickr photostream:
HERE - and all viewable in the PROJECT 365 set.

So here we go...
February 1st
1/334 - Knitting in Starbucks (because nowhere else is open late on a Sunday, except Timmy's - but their seats are too hard) with Hilary.


That's Hilary in the picture, knitting her "traffic cone" skirt.
I hate the (lack of) low light performance of this camera - grainy starting at ISO 400, and very mushy at wide apertures.

Saturday, January 24, 2009

Interior Anti-Design

I was going to make a new year's resolution, not because I think making resolutions is a good idea - I don't see the point really - but because I though it would be a good way to make a blog post. I was going to write about how my resolution should be to stop procrastinating, but it's already the 24th of January and this should have been written on the first, so ... maybe not then.

Instead, I am going to make a resolution to make my apartment look less like I moved in an hour ago. Anyone that has been to my place will understand this. I've been living here over a year (I moved in on January 1st, 2008) and things are in piles around the edge of the room, as I've got no furniture apart from a desk and chair (neither of which I actually bought), and a glass table and two wicker chairs kindly given to me by Julia and Brian.
But this resolution isn't about buying some furniture, because I don't want any more. I don't want to be one of those people - you know the ones - them that own couches. What would I do with a couch? Probably just use it as a shelf and put stuff on it. I've got as many chairs as I've got mugs, which means I have got as many chairs as people I can have round at once.
I want to cover the walls with random stuff and get a load of shelves to put the stuff I've got on. I have been buying a cactus plant here and there, and have built up a little collection to put on my planned shelving unit(s). Mum said it would be okay to leave them outside on the planting table over winter, but I guess she wasn't expecting it to get this cold. Damn snow.
I was quite disappointed when the first one defrosted and went floppy. I haven't really got any good pictures of them pre-freeze, but I was planning on taking some good photos of them, just hadn't gotten around to it...
I like cactuses (yes I know, but "cacti" sounds too "I'm trying to sound clever") because they're unusual, architectural (mathematical?), widely varied, individual, ... weird.
I like weird stuff. I don't like everything matching and Martha-Stewarty. Why can't you get a load of things you like individually and put them in the same room? Because they're not from the same country/vintage/style/colour group? Bollocks.
I've been reading James May's Telegraph column online on and off. He's a motoring journalist and presenter of one of Britain's most popular programs, Top Gear. I like his writing style, and how he manages to be very entertaining while discussing a valid concept, and somehow managing to vaguely relate it to cars. He's honest and realistic and can't be bothered with the big things. Why, when he can write an entire article about putting cheese in a juicer? Anyway, his column from a couple of weeks ago (that I just read) discussed this matter (which I will call Interior Anti-Design). He describes his house as looking like "an upturned box of Lego". He's even got an orange and yellow stair carpet (alternating yellow and orange for each stair).
My sister was visiting my parents a few weeks ago (when this post was started), and they came down to see me one day. Emma has just moved into a new apartment and bought a load of furniture for it. She's doing it all in black and tan - throw cushions and everything. She even bought some matching "art" from Walmart.
I'd hate a place like that. My apartment will be anti-designed in an "eclectic" style, and will look like a clown threw up on it.
I've already gotten started on this project. When I built my computer, I spray painted the case orange. I've got a tissue paper pineapple, and a poster of a random downhiller. I bought a calendar of Escher prints and shoved them in dollar store frames, which I have hung randomly with pushpins on the wall to the left of my desk.
In high school I made mountains of origami - everything from 1000 unit modulars to Jun Meakawa's devil, but that all got thrown out when moving, and all I've got is a box of the half finished stuff, and stuff that I couldn't finish or came out rubbishly.
Emma brought me a kite back from Bali, so I've hung that in the corner. It's royal blue with a red dragon on - I like dragons.

I will keep you updated on this project.

Broken Waffles?

I need a screen name.

I've been trying to come up with one for about 10 years now, and have never got anywhere.
Everything is already taken. I like the same use name for everything, as I'd never be able to remember them all, and I don't want something I'd have to be adding numbers to because someone else already used that name.

I think I've come up with the solution. Two (or more) random, unrelated words.
So, off I go to Google to find a random word generator, and end up with stuff like this:
CauliflowerBridges
CompelledSpoon
ButteryClone
ChargingNail
ImportantFluff
NumbHumans
RabidEngineering
BrokenWaffle
BlueInduction
FlatResolve

This wasn't working. I really liked "brokenwaffle", but (according to Google), so did quite a few other people.
So I went the "Word of the day" route:
abrogate, sui generis, exculpate, xeric, bifurcate, hebetude, undulant, frigorific, candor, lollygag, confabulation

FlatUndulant
ImportantLollygag
FluffyAbrogate
XericClone
BifurcatedCharge
ExculpatedWaffles?

Any suggestions?

Sunday, January 18, 2009

Mr. Blue Sky

Sun is shining in the sky, there ain't a cloud in sight
It's stopped raining, everybody's in a play
And don't you know, it's a beautiful new day.

Running down the avenue, see how the sun shines brightly
In the city on the streets, where once was pity,
Mr. Blue Sky is living here today.
(it's an ELO song)


It has been foggy and rainy all week, but yesterday it was sunny, with a bright blue sky. There was frost everywhere, and it was a bit cold, but since there wasa no wind and plenty of sun it didn't really feel cold.
I went out for a ride. I went the long way to Cow Bay and through to the Cobble Hill road. I rode along the highway to Wippletree and stopped in at "The Loom" to get some wool to make some fingerless mittens for taking photos. I then rode along the highway and turned off at the bottom of the hill along the road that goes to the tennis club, went back the way I came, and then rode around the lake to Maple Bay and back along Herd Road. I was going to ride along Richard's Trail and back along Bell McKinnon, but accidentally turned off along Osbourne, and by the time I came back and got to Richards it was starting to get dark (well... that was an excuse. I was actually getting tired - not riding for two months really takes it's toll!), so I headed home.
Although this was quite a short ride, it took me all afternoon, not because my legs are slow or I was on a mountain bike with knobby tires and no big ring, but because I had to stop every few minutes to take pictures.
I have been finding that I can take tens of pictures of the same scene, and not be happy with one of them. As in most things (arty things, anyway) there are two sides: the arty side, and the technical side. For example: pottery. When Hilary makes mugs, she has to know more than what shapes and colours are aesthetically pleasing and what shaped handles are ergonomic, she also has to understand the chemistry behind the glaze composition and how the clay and glaze will react during firing (I could be getting this horribly wrong - I don't know much about pottery). I understand the technical side of photography. I know how to use my camera, I understand the science behind photography (thanks to Mr. Stone!), and (probably most importantly) I can apply my knowledge. But I have trouble with the arty stuff - composition and the like.
I have come across the photostreams of several photographers on Flickr recently that are the opposite - the content, composition and design of there photos is very good, they clearly leave the camera on auto all the time, and I read in the photo descriptions and on there blogs that the auto settings on the camera take work away from the photographer to leave him to concentrate on the subject matter. I disagree with this - although leaving the camera on auto exposure, auto ISO, auto focus, auto etc, will give you a "correct" picture - it's boring. The camera will probably do a very good job of choosing the "best" exposure, focus point, but wouldn't it be cool to have the motion blurry, the tree silhouetted, the lights out of focus? The camera just does what's "best", and best is never cool.
I know the basics of composition: the rule of thirds, leading lines, direction of motion, focal points, framing, et.c (sort of literary devices of the photography world). I thought I would try and find some information on this sort of stuff. All the tutorials and information on "how to be a better photographer" was about learning about f-stops and ISO. I know all that, and couldn't find anything that went beyond the technical stuff. So I started browsing Amazon.com to see if I could find an old-fashioned book (not an e-book - one actually printed on paper). All the recommended books covered less than I already knew. I checked Listmania, and found nothing but more of the same. I didn't see any point in buying a book with one chapter at the back called "Composition", which would, no doubt, be very basic. And then I came across The Photographer's Eye - Composition and Design for Better Digital Photos (Michael Freeman) - there were only two customer reviews, and it wasn't a big seller, but the reviews and blurb sounded promising, so I bought it.
It arrived a few days ago, and I leafed through it yesterday. The chapter headings look interesting: The Image Frame (Dynamics, Shape, Stitching, Placement, etc), Design Basics (Contract, Balance, Pattern, Perspective, Weight, etc), Graphic and Photographic Elements (Points, Vectors, Triangles, etc), Composing with Light and Colour (Chiaroscuro (what?), Colour in Composition, Colour Relationships, Back and White, etc), Intent (Conventional or Challenging, Reactive or Planned, Documentary or Expressive, Simple or Complex, Clear or Ambiguous, etc), Process (The Search for Order, Reaction, Anticipation, Exploration, Construction, Photographs Together, etc). Reading the Table of Contents, I wanted to jump to the chapter on "Intent", which seems very interesting, but I didn't.
Before I'd even finished the first paragraph I found myself rummaging through my desk draw in search of a highlighter. I can't read without one. I think it was Mrs Fletcher (Year 6 teacher) that pushed the highlighter thing. Mrs Fletcher pushed a lot of things though, such as putting the date on the top line in the left margin, and the title in the middle of the second line, but everything else she encouraged was dropped as soon as it was someone else marking my work that didn't care which line the date went on. I think the Level 2 SAT was the first "proper" test I took, and that was in Mrs Fletcher's class. We spent quite some time preparing for the tests, and our little village school always got very good marks. I think I got all 5's with a 4 in English (let down by my story writing). Highlighting key words might not have been a huge importance when the questions were one sentence, and I'd highlight 80% of the words, but in university physics it would often take several minutes just to read the question, and three reads before you start to understand what you're being asked, only to realize that you don't know how to do this one and will come back to it later. When you're doing research for a paper, you might only need a couple of sentences to quote out of the whole book, so good luck finding them again if you didn't highlight.
I always need a highlighter with me whenever I'm reading - bike magazines, mail, books, instructions, work orders at work - I find it saves me a lot of time if I can read one or two words instead of the whole think. When reading books and magazines I often come across a sentence or phrase that summarizes what would take me a long, drawn-out blog post (such as this one) to get across.
The first thing I highlighted in this book was "Facility at using this frame depends on two things: knowing the principles of design, and the experience that comes from taking photos regularly." (Freeman, p9). I'd actually been thinking about that recently. Nothing can substitute for experience, including education - in everything. Watching "Bike Skills" videos doesn't make you a good rider - riding your bike makes you a good rider. Passing the A+ with good grades doesn't make you a good tech, working as a tech makes you a good tech. Reading about using your camera doesn't make you a god photographer - taking pictures makes you a good photographer - which reminds me of something I said higher up as well about applying knowledge. A lot of people in my photography class at school got good marks on the tests - they had studied and learned what depth of field and chromatic aberration were, but when it came to the assignments they didn't know where to start. What's the point of having knowledge if you don't know how to use it? This was even more evident in computer science class. Some people thought that if the studied the syntax and structures they would pass the test - but computer science exams were always biased heavily towards application - usually 75% programming and 25% theory. A lot of people dropped out of computer science - the remainders got good marks and never bothered to study. If you can do the labs without the TA having to hold your hand you can pass the exam no problem.

And once again I have gone way off track. Wasn't this supposed to be about my ride yesterday?
I was going to go riding again today, but felt knackered - I need to start going to bed earlier.

Distance: 47.9 km
Time (total): 4:09
Time (moving): 2:33